Thursday, February 9, 2012

the origin of the coconut




Two and a half years ago, the first event I covered at the still unnamed local newspaper I work(ed) at, was an evening of Halloween-themed storytelling, hosted at the house of a loopy old man into crystals and his entirely too young wife in sunglasses, at a beach house in Ipan.

Told on large lawn leading to a dark beach, the stories were an amalgamation of the typical campfire spook story (dead aunts appearing the back of cars, zombie maidens arising from the sand) and ancient-sounding legends I guessed were made up for the event.

(I still ended up asking one of the story tellers where the tale about the taotaomo’na stalking a pig hunter in the jungle came from, to which he incredulously replied, "I made it up.")

One of the storytellers at the event was a local historian, whom I have since bumped into several times while frantically running about the island doing reporterly things.

He once talked to me about medicinal plants at a family-sponsored public clean up that I was sent to only because someone knew someone or bought an ad, or maybe both.

He took me down to see a hotno -- one of the few remaining Spanish outside ovens on Guam.

I watched him peform a blessing as the now nearly extinct ko'ko' were reintroduced to Cocos, and met him while bopping about festivals -- a jovial uncle/aunt of the Chamorro cultural revitalization.

I don't know if I really made that much of an impression on him -- except as one of the dozens of annoying reporters who has likely called him over the years asking about cultural whatever. Or maybe I'm the only one. I don't know.

I think many of my journalistic endeavors were simply excuses to look at stuff that I find cool, and the coolest stuff I encountered on Guam usually had to do with historical or cultural or scientific or otherwise non-journalistically relevant topics.

It seemed fitting, therefore, that for my last assignment I sat across from him at a fold-out table at the Department of Parks and Recreation office -- which is now inexplicably underneath the bleachers of the island's baseball stadium -- and listened to a story.

Ostensibly I went to him to add his cultural expertise to a story I was working on about a book on Chamorro folk tales.

But, I didn't really need to talk to him about the project, which it turns out, is actually not happening/on hold, in the way that projects run by very small grassroots nonprofits find themselves.

So while I plied him for wisdom about the importance of folktalkes in Chamorro culture, and tried to get answers about how that art has been lost in the younger generations, he told me the story of  Sirena, the disobedient girl turned fish -- which on the face of it seemed to be a warning tale for children to obey their parents. 

But the tale, he explained, had more to do with the detrimental effect negative words have on children -- as a mother's curse causes eternal separation from her now mermaid daughter.

Breaking into a Chamorro chant, he told me the story of Puntan and Fu'una -- the island's gods of creation.

And he told me about the origin of the coconut, which for some reason stuck in my head.

The story goes:

A young maiden is dying (there always seems to be a young maiden in these stories, he tells me). A young maiden is dying, and her parents ask her what they can do to save her.

And she tells her parents they must go into the jungle, and find a fruit from which no one had ever drunk.

And her parents go into the jungle, and search and search, and whenever they found a fruit, someone had  already tasted it.

They returned unsuccessfully, and the girl died.

But from her grave rose a tree that no one recognized. And from the tree grew a fruit that no one recognized. And when the young maiden's father took the fruit, he shook it and heard there was liquid inside.

And when he opened the fruit, he said, 'this is the body of my daughter.'

And the fruit was the coconut, the fruit of life, from which all things spring.

And then, with much less fanfare, he told me another story, about a maiden whose life was also at peril, and whose parents went searching in the jungle.

But the parents did not search for fruit, but for a piece of the Holy Cross, which the maiden said would heal her.

There was no Holy Cross, but the parents brought her a piece of wood, and told her it was the Holy Cross. And she so much believed them, she was saved.

She was giving salvation by a higher power, but she did not give herself in the way that our first maiden had, my friend the historian said.

I don't know what these stories mean -- beyond being an example the stupid ways that Christianity ruins stuff. 

I didn't actually use any of this stuff in my story, which I wrote, a few perfunctory quotes from the historian included.

But I got to hear a story. 

And now, in turn, do you. 

Wednesday, February 1, 2012

closing thoughts

Being a journalist is, for better or worse, creating a file cabinet of the world.

After two and a half years of local journalism, I have cataloged quite a number of things, the details of which slide in and out of my brain, and appear at random moments like book titles I once shelved on the Judaica/cooking island of the Strand.

Although our job is ostensibly telling stories about the world, I often found myself often cataloging rather than chronicling -- which implies some kind of interpretation, or an attempt to detail a thing that should be seen.

We are the librarians that take on the task of ordering things, but not necessarily making sense of them.

the newsroom


That sounds like one of those 1980s/1990s/1930s-era movies showing the scrappy, dedicated, world-weary reporters cynically speaking truth to power, while challenging, but ultimately winning the approval of hardened grumbly editors, and barking domineering publishers -- and, of course, getting the story right, hiccups and all.

In fact, the newsroom, my newsroom, is a conglomeration of smashed together desks, with computers and papers and phones all askew, stupid tangled wires that make it impossible to do anything technologically helpful at all, broken computers, shitty lights, random exclamations.

Every time I see the newsroom I think of my co-worker The Intrepid Reporter, not to be confused with other lower-case intrepid reporters, hopping up and down at his desk, with one hand on the computer, another waving about frantically, threatening the execution of his laptop and/or cell phone, while yelling about the magistrate of an arrested sex abuser, or government worker who tested positive for drugs, or the latest press release with a comment from the governor responding to comments from legislators to hit our email inbox.

So far, so stereotypical. Really stereotypical.

The panicky sound of heels -- so unnecessary in a newsroom of 10 people -- clacking clacking, for no other reason than to grind the stress into the ground as the deadline looms and the near hysteria of unusable quotes and unreturned phone calls disburse in waves around the reporters.

Intrepid Reporter returns flushed with pad in hand, pencil in ear. Overwhelmed not incredibly intrepid reporter with four pens in messy hair (like, insane person messy) puts head in hand, types, looks at computer with incredulous stare -- am I really doing this?

Phones ring. Ohmigod, it's like we all don't have voice mail and there's no secretary. (We do, and there is, and yet someone get the phone).

At 6 p.m. the news comes on and we tensely watch our (two) competitors, wondering if they got a story we didn't get.

Dear god, did they get an interview with the superintendent who didn't answer my phone calls about the middle school gym? Did the governor's special assistant give a comment about visa waivers we didn't get? What the hell? They have a story about an investigation into the sale of bath salts? Nooo.

Make phone calls. We'll just cover the basics, and do a folo tomorrow.

It's not even that it's not like it is in the movies. It is exactly what it's like in the movies -- shrill and panicked and self-important.

All of us the fluctuating white noise fading in and out, but never in tune, scrambling for the scoop, racing to get the latest press release up on an excruciatingly slow website seemingly designed to hasten aneurysms.

Having emerged from this seething cocoon and moved to the lifestyle desk (and then further removed to the empty special sections desk), I have spent the last few weeks watching from afar (10, maybe 20 feet) the self-impalement of the news reporters.

It's like watching a group of people on a trampoline in a closet, wondering why they keep hitting a wall.

Little eggs, sizzling on a pan we shouldn't have on high anyway.

My account may be amplifying the tension of what I can only assume is a fairly low-stakes newsroom. The New York Times we are not. But that sort of reinforces my point.


What the hell are we doing?


We are pantomiming a profession that seems more and more irrelevant -- because the world has changed and the huddled masses are no longer waiting for the belated dissemination of the next press release from our information center.

And even if we were in the golden age of the printed word -- what the hell are we doing?

Somewhat tired media analysis aside, it's just not a way to live.

There are bigger things.

And more humane ways of telling stories, which, at the very least, one can do on a blog sans trampoline.